There is a narrative about punk – call it the American Hardcore narrative – that women and non-binary-gendered people were active in punk during the initial wave, then disappeared as the 1980s progressed due to the rise of macho hardcore.

As the story goes, these minorities re-emerged during the early ‘90s during the riot grrrl movement – then disappeared again throughout the late ‘90s and ‘00s until the riot grrrl revivalist spirit pervaded the late ‘00s.

We’ve always been here, though – running labels, writing about music, playing in bands, and booking shows, and just because we haven’t always gotten the media spotlight doesn’t mean that we don’t all have stories to tell. And so, this is the first in an ongoing series of interviews meant to spotlight some of the unsung figures written out of this narrative, despite them having kept DIY punk interesting and vital over the years.

Our first interview is with Osa Atoe of New Bloods, a minimal punk outfit who put out one excellent record on Kill Rock Stars in 2008, and Negation, a raw post-punk band who put out a demo and a cassette before folding last year. Originally from the DC area and an alum of the Portland scene, Osa moved to New Orleans in 2009, where she’s been keeping punk alive, booking shows and fests and releasing tapes under the No More Fiction moniker. She’s also a talented writer and historian currently on her eighth issue of Shotgun Seamstress, a zine by and for black punks established in 2006, the first six issues of which are available in a bound anthology.

Source and rest: Flavorwire.

The Forgotten Women of Punk: Shotgun Seamstress’ Osa Atoe on the “Super Tiny” World of Black Punk